The GENRE'D Edit

A dead mystery author. A secluded Scottish island. A group of midlist writers competing to finish his final novel before people start dying. In Episode 23 of Genre’d, Katy and Elyse discuss The Ending Writes Itself by Evelyn Clark, including the killer reveal, publishing industry commentary, audiobook experience, and whether the ending actually worked.

Nicolas DiDomizio is back to talk A Murder Most Camp, a funny, campy mystery with a standout twist, chaotic characters, and a surprisingly heartfelt core.

A quiet farming colony becomes a livestreamed war game in Operation Bounce House by Matt Dinniman. We break down the plot, the ending, and the AI twist that changes everything.

What happens when survival becomes entertainment? These 8 books explore high-stakes games, watched competitions, and the unsettling reality of being observed while fighting to survive.

We read thrillers all the time… so why aren’t they our favorite genre? This week, we’re unpacking the difference between comfort reads and the books that actually stay with you, plus true crime, cults, and a full genre identity crisis.

A speed dating event turns into a full slasher scenario in this horror rom-com we did not expect to love. We break down How to Kill a Guy in 10 Dates, from final girl tropes to rom-com chaos and whether we’d actually survive.

Are you surviving the story or getting chosen by it? We’re breaking down the Final Girl vs Leading Lady trope with 8 books that blur the line between romance and survival.

Poet Emily Zogbi joins Genre’d for an Off Book episode covering contemporary fantasy, magical realism, YA comfort reads, and why poetry isn’t boring—you just haven’t found your poet yet.

Stories where the world looks normal until it isn’t. These 8 books explore hidden magic, secret systems, and the feeling that something is just beneath the surface.

We need to talk about Half His Age … because what exactly did we just read? 🤔 This week on Genre’d, we’re diving into Jeanette McCurdy’s debut novel, a coming-of-age story that is equal parts uncomfortable, sharp, and impossible to ignore. It’s giving Lolita … but if Lolita told the story herself. And yes, it raises way more questions than answers. But first, we have things to say. We’re celebrating our 20th episode (!!), reflecting on how we’ve somehow read 20 books in unde

The fantasy is perfect. The reality is… less so. These books explore what happens when the version you wanted collides with what is actually true.

We’re talking sci-fi vs fantasy, Libby reading habits, and the best books to start with — plus survivalist fantasies, adaptation hot takes, and a very real fear of space.

In the dystopian city of New Found Haven, mercy is illegal and love can get you killed. This week on Genre’d, we’re discussing Daggermouth by H.M. Wolfe — a brutal dystopian romance about assassins, forced marriage, and a rebellion that spirals completely out of control.

We are joined by author Nicolas DiDomizio to talk about his upcoming book A Murder Most Camp, a cozy murder mystery that is equal parts hilarious, heartfelt, and completely chaotic in the best way. Nic's new book drops April 28, and we are lucky enough to be kicking off his entire promo season with his first interview about the book. Naturally, Katy finished the ARC about 45 minutes before recording. She is still emotionally at Camp Lore. In this episode we talk about the wil

A Yankees catcher. A burlesque club owner. A secret marriage for health insurance. And somehow… an organ donation. We’re unpacking Catch Her If You Can by Tessa Bailey — and we do not agree.

The scandalized heroine is the woman the world has already decided about. She’s labeled difficult, reckless, dramatic, or immoral — and she refuses to live inside that version of herself. From romantasy to thrillers to contemporary romance, we’re breaking down eight books where women reclaim their reputation and rewrite the narrative on their own terms.

This week on Off Book , we invited our friend Jen Keefe (stand-up comic, actor, and proud Libby power user) to do what can only be described as a public service: explain A Court of Thorns and Roses from the perspective of someone who does not read fantasy. And honestly? She ate. We talk Libby strategy like it is a concert presale, unpack Jen’s memoir-first reading life, and then fully spiral into an ACOTAR recap featuring “Fire,” a scary wind, a stone heart, and a character

Cycle Breaking is the trope where characters confront inherited patterns a nd make a different choice. Sometimes that means defying family legacy. Sometimes it means rejecting violence, prejudice, abuse, or power structures they were raised inside. Sometimes it means refusing to become the villain history expects. At its core, this trope asks one question: Will you repeat the past, or rewrite it? Why we love it Because this trope hits everywhere. It lives in literary fiction

Elyse and Katy review My Husband’s Wife by Alice Feeney.

The Cost of Power is a trope where gaining power always comes with a price. That price might be moral compromise, personal loss, isolation, violence, or the slow erosion of identity. Power is never neutral and it is never free. Why We Love It This trope asks the question we never stop asking as readers.Is it worth it? Stories built around the cost of power are compelling because they refuse easy answers. They force characters to choose between ambition and integrity, surviv